Wordsworth contrasts the morning city and the noon city, creating two entirely different worlds.
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The noon city expresses images of congested traffic, loud senseless noises and polluted air — an industrialised society working at full capacity. It destroys the good qualities of sympathy and kindness in humanity, and replaces them with a sense of malice and corruption. The binary opposition between the morning and the noon cities represents the opposition of God-made and man-made respectively.
The first stanza discusses how mankind is disconnected from nature. The great distance between the cloud and the daffodils show a disconnection and lack of a proper relationship with nature, and ultimately God. The second, and in particular, the third stanza illustrates the unification of nature and the poet. This relationship is further intensified with the reverse personification of the earlier stanza.
Wordsworth, in effect, becomes a social critic to the loss of spontaneity, purpose, innocence, passion and imagination. For Wordsworth, the child and childhood represented a spontaneous and natural feeling of wisdom which is innately linked to nature, in a way which adults have lost touch with.
Natural and religious imagery are combined to symbolise the purity and incorruptibility of children, and reveals how children are inherently at one with nature. The sonnet is written in iambic pentameter, however; in the very first line this strict rule is broken, having eleven syllables.
Get out the microscope, because we’re going through this poem line-by-line.
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We will occasionally send you account related emails. Want us to write one just for you? Court system in ancient Greece. Due to his faith in his own imagination he can refresh his emotions that he had while walking over the bridge. But it is less the faith in God but the faith in imagination and the beauty of a city that form the topic of this poem. To underline this thesis, the connection between nature, city and imagination form the center of discussion in this paper. Even for Wordsworth, who knew about all the wonders and the beauty nature has to offer, this experience upon Westminder Bridge must have been deeply impressive.
His sonett seems to be a declaration of love and its seems as if the language he knew was not enough to describe the grace of the moment. City, river and houses are no longer passive things but gain human attributes:. Nicole Gast Author. Add to cart. Lines composed upon Westminster Bridge, Sept.
Composed upon Westminster Bridge Paper
He seems surprised himself. The city's freshness is more beautiful than the freshness of the countryside because it runs counter to expectation. The element of surprise accounts for the speaker's enthusiasm. Setting: Wordsworth and his sister, Dorothy, wake up early to catch a coach to the port of Dover, where they will cross over to Calais, France. As Dorothy wrote in 3. The streets are mostly empty, and there's no traffic to hold them up.
But when Wordsworth and his sister cross the famous Westminster Bridge over the Thames River, they can't resist getting out of their coach to marvel at the scene. Unlike many a damp London morning, there is no fog, and the sky seems airy and spacious. The sun has begun to rise, casting a bright yellow light over those famous London landmarks. As the sun moves from the horizon, the buildings begin to glitter, as do the innumerable ships docked along the crowded river. The light makes London appear to be a completely different city. In the second half of the poem, the speaker reflects on other times when he has felt a similar sense of peace and wellbeing.
He thinks of his explorations around the English countryside, with its many green hills and valleys, but he decides that even these cannot compare with the vision before him. Devices and Imagery: 1. Wordsworth's claim that his vision of London is the best on earth is clearly an hyperbole, not to mention impossible to verify. But it's an innocent exaggeration as he is so caught up in the moment.
A touching sight is intimate and personal, while a majestic one is grand and public.
In A Nutshell
With this phrase, Wordsworth comes close to capturing the indescribable feeling of familiarity and distance all at once. As in the first line, these claims are hyperboles. Wordsworth uses personification in several places in the poem, in reference to the city, sun, river, and houses. He creates the impression that nature is a living being with a soul.
Lines capturing a special moment of stillness
It's as if all these forces have decided to come together to treat the speaker to a "One Morning Only! Only people can wear clothing , so London must be personified. The sun is personified as a male. He's like the person in front of you at the supermarket who's going to spend 10 minutes at the cash register and there's nothing you can do about it. In reality, the people inside the houses are the ones who are asleep.
Wordsworth’s Poetical Works “Composed upon Westminster Bridge” Summary and Analysis | GradeSaver
The heart is "lying still," perhaps because the city, like its houses, is asleep. In "Composed Upon Westminster Bridge," clothes are a metaphor for the way the city and nature in general seem to put on different appearances depending on the way the light "dresses" them. A "garment" is just an article of clothing.