After listening to Burns play, Bellson told him that he should move to New York to pursue his music career. While studying with Jim Chapin, he started sitting in in clubs around the city. That gig started his professional career. Goodman led the most prestigious big band of the day.
The Best Drum and Percussion Method Books
He passed the audition, ultimately playing with Goodman from through By he was drumming on the Merv Griffin Show and endorsing Rogers drums. Rogers wanted a high-profile American drummer to promote their drums in Europe, so Burns agreed to do a six-week clinic tour of the UK and Scandinavia. In setting a standard for the genre, Burns made sure that his clinics combined drumming instruction with entertainment value.
Burns was with Rogers from to , during which time he was involved with product development and quality control. When he started, Rogers was an innovative and coveted brand of drums. But after the company was sold to CBS, things changed. Also a fan of 4-Way Coordination , Dawson used this book with his students to help them begin to use the hi-hat foot as an independent voice. There are many books containing useful information that pertains to the art of drumming.
Out of the books I know about, the following stand out:. The idea is that anything you play, from the simplest beat to the most difficult exercise, ultimately has to sound like music. Miss that, and you might be doing more harm than good. Way more than a book of exercises, this text is a guide for playing the drums in a musical way. I recommend it to non-drummers as well, as the concepts and ideas Moses talks about go way beyond any particular instrument and reach into the realm of pure music making.
Though not at a drum method book, the Real Book merits a mention as a source for learning standard jazz songs. Knowing the tunes in this book also creates a common ground between musicians, so you can perform together without any rehearsal. I take drummers of all levels and interests through my Extreme Hands Makeover plan, which is on the site.
I also assign different workouts to do, which include play-along videos where students can watch my hands and make theirs match them.
A portion of this book is culled from my articles in the Strictly Technique section in Modern Drummer magazine, and another portion focuses on my technique opus describing all of the essential techniques thoroughly and simply. This book offers the fast track to well-rounded mechanics that will be used every time you play. It starts very simple and gradually builds in complexity. These pages are packed with wisdom. Plus, there are independence exercises that include the middle beat of the triplet.
Many people learn jazz independence by applying swing 8th-note rhythms from other books, but I feel that you miss so much vocabulary without also exploring the middle beat of the triplet. I remember looking through this book at the store and thinking it seemed pretty simple. I bought it primarily with the purpose of putting miles on my left foot. For me, the answer to this simple question is long and complicated because it has to do with how we learn and improve as a result of how our brain, nervous system, and body functions.
As a result of study and research in areas including neurobiology, neuroscience, psychoacoustics, cerebral physiology, perception, and cognition over the past six years, I believe that using books or instructional products alone is not an effective way to develop into a highly skilled musical drummer. Which books or instructional materials we use to practice is not as important as how we use them.
Books tend to be filled with examples, but if we just practice and memorize the examples instead of the underlying principles, our learning is illusory. Sometimes we tend to mistake fluency in playing examples with mastery of the underlying content. These books are effective because, when practiced correctly, they allow for your interpretations and ideas of how to use them.
Techniques need to be put into a musical context, which is where playing along to recordings, loops, and drumless tracks become indispensible in our development. Also, work with a qualified instructor who can give you instant objective feedback, record yourself playing, watch drum videos, read books and magazines about music, drumming, and drummers, go to concerts, attend clinics, experiment with different tunings and setups, and jam with other musicians often. All of these things work together to help you grow. It requires time, commitment, enthusiasm, and patience, along with humility and respect for the instrument, the techniques, and the music.
Good luck, and enjoy the ride!
Elementary Drum Set Exercises by Jonathan Baer - TimeWarp Technologies
Drum Solos Elementary Drum Method by Roy Burns 2. Syncopation by Ted Reed 3. Time Functioning Patterns by Gary Chaffee 5. Drum Solos 6. The New Breed by Gary Chester 7. Progressive Steps to Syncopation for the Modern Drummer by Ted Reed Simply referred to as Syncopation by the majority of drummers, this historic book has been around for over half of a century and is perhaps the most utilized drumset exercise book in drumming pedagogy today.
The New Breed by Gary Chester Chester popularized the concept of using groove-oriented systems or ostinatos with this book, and contemporary drummers have taken these ideas to extreme levels. The Art of Bop Drumming by John Riley This is a must-have for drummers who want to have a strong background in jazz concepts. For Drummers Only by Jim Chapin 5. One Step Beyond Life on Drums by Billy Martin and Allen Herman Through engaging conversation and performances, Martin and Herman shed light on how to develop a strong foundation as a drummer and how to think outside the box as an accompanist and soloist.
Stick Technique: The Essential Guide for the Modern Drummer by Bill Bachman A portion of this book is culled from my articles in the Strictly Technique section in Modern Drummer magazine, and another portion focuses on my technique opus describing all of the essential techniques thoroughly and simply. Double Bass Drumming by Joe Franco I remember looking through this book at the store and thinking it seemed pretty simple. Marc Dicciani For me, the answer to this simple question is long and complicated because it has to do with how we learn and improve as a result of how our brain, nervous system, and body functions.