She freezes her figures in mid-movement, isolating these gazing, hypnotized creatures within their own cryptic gestures. And even while the sense of the plot may go missing, the pictures can never be reduced to their narrative content: something in their experience remains always open and in communication with the viewer.
In her painting, Mulleady shifts between extremely artificial, atmospheric spaces and coolly observed domestic still lives. In both her figurative fantasies and her everyday realism, and even more so in this restless shifting itself, she seeks to stage the interplay of drives and repressions, eroticism and fear.
These scenes and the exhibition as a whole provide a framework that becomes intoxicated by inner passions. Here, desires are discharged according to both the laws of the everyday and their transgression. She escapes into these black holes and submits to them, falling in.
Oct 22, Oct 17, Follow along! Oct 8, Oct 4, For this column I'm portraying exceptional.. Oct 1, Sep 21, Sep 17, Sep 11, Ulli, 26, works as a doctor's assistant in Berlin.
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Aug 7, Aug 2, Jul 23, By Nadja Wohlleben — I'm so excited to announce that one of my photographs from my series 'Shosho Jikinge - Grandmothers in Nairobi's slums fight off.. Jun 29, Jun 28, Jun 15, By Nadja Wohlleben — Really touched to see this beautiful 16 page feature of my most personal project '92 - Helga's Disappearance' in Civilization Magazine China. May 2, Apr 11, Mar 31,